Octatonic Formations, Motivic Correspondences, and Symbolism in Alwa’s Hymne: The Conclusion of Lulu, Act II

Thesis

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Octatonic Formations, Motivic Correspondences, and Symbolism in Alwa’s Hymne: The Conclusion of Lulu, Act II

Alexander Lane

Brandeis University

Master of Arts (MA), Brandeis University, Graduate School of Arts and Sciences

2010

Handle:

https://hdl.handle.net/10192/23839

Abstract

octatonic

Lulu

hymne

hymn

Berg, Alban

analysis

An in-depth analysis of the Hymne from Act II of Alban Berg's Lulu

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Title: Octatonic Formations, Motivic Correspondences, and Symbolism in Alwa’s Hymne: The Conclusion of Lulu, Act II
Creators: Alexander Lane
Contributors: Allan Keiler (Advisor)
Awarding Institution: Brandeis University, Graduate School of Arts and Sciences; Master of Arts (MA)
Theses and Dissertations: Master of Arts (MA), Brandeis University, Graduate School of Arts and Sciences
Publisher: Brandeis University
Grant note: Brandeis University, Graduate School of Arts and Sciences
Identifiers: 10192/23839; 9923880045801921
Copyright: Copyright by Alexander Lane 2010
Academic Unit: Department of Music
Language: English
Resource Type: Thesis