Abstract
This study presents an alternative interpretation of one of the most aesthetically charged objects known from southwestern Mesoamerica, a tripod vessel seemingly manufactured in the fifteenth century CE. The analysis links the content of the visual narrative painted on the vessel with the use of the object, a function glyphically described around its neck. I argue that the binary structure of the depicted imagery and of the myth of origin encoded in the narrative was dialectically projected into the historical social field that motivated the commissioning of the artifact: a marital alliance to unite two powerful noble houses in order to forge a new dynasty. The deployment of the vessel to drink cacao during a marriage ceremony helps explain how its inscribed surface was meant to be read, and the depicted archetypical toponyms are hypothetically identified with lived places in the valleys of Nochixtlan and Coixtlahuaca.
