Abstract
This essay explores literature significantly different from the corpus on which classical narratology is based: an international set of narratives focused on Israel's occupation of Palestine. Drawing on traditional narratological concepts, we seek both to identify recurrent narrative patterns-of event, time, space, narration, focalization, and character-and to interrogate assumptions, refine concepts, and fill gaps in conventional narratological frames of thought. Our approach relies on a shift from the traditional comparative model of reading "side by side" to a methodology of "entanglement" or "histoire croisee" that emphasizes connections, hybridities, and asymmetries within the space of the Israeli-Palestinian conflict as constituted in an array of fictional and autobiographical narratives. In focusing on checkpoints and border-crossings, we also aim to contrast Bakhtin's view of the road as the Urchronotope of the novel with the narrative impasses that, we argue, evoke the literal roadblocks of occupation. In investigating the mutually constitutive relationship between a political situation and the narrative practices that represent it, we also suggest new directions for a situated narratology. In the end, then, we hope not only that narratology will help to illuminate representations of the occupation, but that narratives of the occupation will modify and enrich narratology.