Abstract
From the vantagepoint of a feminist/queer/cisgender narratologist, "Trans -forming Narratology" asks which aspects of narrative practice might be particularly salient to developing a fruitful trans narratology while also calling our attention to elements of narrative that conventional (cis)narratology has undervalued or ignored. Keeping in mind matters that might be particularly relevant to trans narratives, this speculative essay explores aspects of voice, embodiment, character space, plotting, and closure in a set of recent American and British novels. It considers ways in which trans narratives can exploit the gender freedom of the first -person English pronoun or, conversely, signal temporally dual identities through heterodiegetic naming practices. It addresses tensions between a character's proclaimed gender and their assigned sex and the differing implications of texts with narratees who are also textual actors and those whose narratees serve as external confidantes. Through brief forays into multiple aspects of narrative form, this essay argues for a narratology that can show the rich and varied capacities of trans writings past and present, with the hope that attention to trans narratives will both deepen our understanding of trans literature and advance the larger project of a comprehensive, situated narratology.
