Abstract
The paintings and works on paper in the exhibition, Rituals of Perception, are Alfredo Gisholt’s response to two places: the studio and the landscape in the seacoast of Maine where he has spent much time. These two places provide Gisholt with the subject and the structure from which he builds, configures and reconfigures spaces into new pictorial realities. The transformation occurs through the accumulation of visual experiences: the light moving across the room, the clouds shifting in the sky, the pile of objects in a corner, the ebb and flow of the tide.