Abstract
In an excerpt from the Shane Belles film Dakota, performer Colin Gee – a former principle clown for Cirque du Soleil – combines experiments in identity with deft physical characterization to recreate the film’s climactic scene as a riveting solo performance. The scene portrayed is the cathartic arrival of a father to negotiate the exchange of his abducted daughter from former associates, having failed all demands. Introduced by a video installation that provides narrative context and a synopsis of the film, from Dakota also features live vocal and electronic accompaniment from acclaimed composer Erin Gee.