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An Examination of the Multiple and Varied Uses of Arabic-Inspired Pseudo Calligraphy within Italian Religious and Secular Artwork from the 14th to 15th centuries
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An Examination of the Multiple and Varied Uses of Arabic-Inspired Pseudo Calligraphy within Italian Religious and Secular Artwork from the 14th to 15th centuries

Shafaq Hasan
Brandeis University
Bachelor of Arts (BA), Brandeis University, College of Arts and Sciences
2014
Handle:
https://hdl.handle.net/10192/27001

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